The Heart Of Mystery Babylon - A Cage For Every Bird

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Metamath Aftermath Introduction Loose Ends Nothing Less Than Zero Bungee Leap Messianism Three Bags Full Sir! Ultrafilters Introduction Ultrafilters, Insert Coin Application By Anselm Principal, Or Non-Principal Finite, Or Infinite? Algebra, Abstract Enough? Introduction Group Axioms Ring And Field Axioms Subrings, Subfields Modular Arithmetic Ideals Of Rings and Fields Morphisms / Factor Rings Galois Groups And Finite Fields Permutation Groups K4 Groups And The Octal The Finite Fields GF(4) and GF(8) Normal Subgroups Simple Groups A5 Is Simple A Proposal For The Trinity Introduction Modelling The Holy Trinity Of What Meaning Is It? Tested Whilst Surprised Three Bags Full – Of What? Ultrafilter In Strange Twist Limit Of Construction Introduction Divergence Holy Trinity – The Only Finite Pantheism – Most High God Lord Of Hosts – Angels Advanced Symmetry Introduction Operands vs. Operations 1: - Trinity In Christ 2: - Trinity Through The Father 3: - Trinity By The Holy Spirit They Do It With Mirrors Ultrafilters Of Trinity The Nature Of God Introduction Reconcilable God And The Dialectic Eucharistia A Child Called Alice The Certainty Of An Open Door And His Coming No System Of Works Alpha And Omega None Other Name Under Heaven Given Among Men The Comforter – Open Doors The 6, 7, 8 Cycle Introduction The 6, 7, 8 Cycle The Devil’s Jealousy Numbering The Beast The Four Horsemen The Seven Churches The Beast’s Deadly Wound The Vision Thereof Sure What A Tangled Web We Weave The Ten Kings – Ten Horns Of The Beast The Leaven Of Divorce – Even He Is The Eighth The False Prophet And The Image Of The Beast If Thy Right Hand Offend Thee The Mechanics Of Temptation Introduction Simple Transposition Factoring To A5 The Final Six The Pride Of Life The Ten Kings The Image To The Beast The Consequences Of The Image The Seventh Angel Sounds The Restrainer Have You Tried Turning It Off And On Again? Wise Virgins Introduction The Parable Of The Ten Virgins Left Handed And Right Handed – The Father’s Throne Sit Thou At My Right Hand Octal Reversal And Left/Right Equivalence The Sabbath Rest Of Christ – Spiritual Israel Is His Body The 144 Octal Reversals Seven Seals, Trumpets And Vials – Thunders? An Application Twelve Thrones Over Israel Introduction The Maker’s Dozen The Twelve Tribes A Matter Of Life And Death Life Beside The Right Hand But Whom Say Ye That I Am? Introduction Right And Left Hand Invariance Left And Right Hands As Vectors Scriptural Comparison Remaining Calculations Walking Amongst The Candlesticks Amalgam 666 Introduction For A Mark Between Thine Eyes 666 Outside Of Christ 660 or 666? - The Image With Life Death Shall Flee From Them Wormwood = Death Abaddon = Hell The Heart Of Mystery Babylon - A Cage For Every Bird Hell Follows After The Insanity Of Satan Introduction Satan's Left And Right Hand Conterfeits Discontinuity - A Deadly Wound The Madness Of The Dragon A Bag Full Of Holes Inept, To Claim The Least The Beast Which Thou Sawest No Other Name Under Heaven The Spirit Within Us Lusteth To Envy Two Horns Like A Lamb No Mass Culling 6, 7, 8 Cycle Revisited Introduction With Apologies To The Reader Rightly Dividing The Word Of Truth The Deadly Wound Healed New Beginnings Hot, Cold And Lukewarm The Collision In The Octal Regressive Or Regenerative? Seven Spirits More Wicked Maths From The Gospels Introduction Our Father, Which Art In Heaven Hallowed Be Thy Name Thy Kingdom Come Thy Will Be Done On Earth, As It Is In Heaven Give Us Today Our Daily Bread Forgive Us Our Sins... Lead Us Not Into Temptation... For Thine Is The Kingdom The Power And The Glory, Forever	The Heart Of Mystery Babylon - A Cage For Every Bird Now the result that the heart of the woman riding the beast is actually the dialectic process (as instantiated by the agency of the false prophet) as the image allows us to show that 666 outside of Christ is equivocated to the 660+6 system of the woman (the image). We need to count pairs of bows in order to choose an adequate thesis and antithesis. Clearly a single bow on its own may be chosen from amongst the full 35 in each set of seven symbols, 7 of which are in the right hand octal and may not be counted as amongst the 666 outside of Christ. Then we may choose 4 sets in partition under modifying the seven cycles having used our transpositions as per the serpents of the sixth trumpet. In essence we set one subgroup to be static out of seven (in the right hand generalised), then we have four choices of unity. Equivalently, we have seven choices of unity in the remaining "bows". Excluding static subgroups in the right, we have 28/7 = 4 such bows in each octal. There are six octals containing each bow, and we need to count the sets that contain one or exclusively the other, There are two copies of the first bow in the second set, giving us a total of ten rather than 12. 28/7 * 10 = 40 Lastly we note that there are four possible bows to each choice of unity - but we are here (conjugating upon our) choosing two of those four, giving us a factor of six, which we must halve because by the same choice we also count the pair left over. So 28/7 * 6/2 * 10 = 40*3 = 120 So, one bow corresponds to our "thesis" and the other to our "antithesis" (g and g^-1 with which we conjugate on A5.) Each bow therefore allows the "heart" which processes the sensual input of the carnal engine formed to represent every element of S5 in the senses to one of these polar opposites. Each choice of bow pairs acts, as it were multiplicative inverses in the logic of the mind in the dialectic process. We also have the remaining 120 elements that we excluded from our count. We divide this set in two, as like to inverses also (but to use as they were cosets). Then we may approach one and exclude the other as to whichever the "heart" finds to be positive or negative. In effect we have 240 elements, 120 split to each side and then each set of 120 split again into inverse pairs. The heart places the inverses as pairs of elements in conjugation, and may do so rearranging truth and falsehood on the basis of pleasure only. The last 120 form the group A5 and its coset. That, essentially is the extent of the heart. It will as a pair of "false balances" separate out those properties in its environment which it finds most pleasing. The dialectic process itself is so as to camouflage this carnal desire to gratify oneself with a thin shroud of logic. There is no reason to stop there, the use of transposition in the dialectic process itself allows the "heart" to substitute the mind under conjugation as a (A5) subgroup in A6. In doing so one finds that there are six such sets where the "mind" of the woman riding the beast (the process itself) may be substituted for a sense and the process itself repeats under conjugation in a similarly absorptive way in and amongst the A5 subgroups in A6, as if the senses were in agreement with the dialectic. In that manner in A6 the mind claims some sense of completeness over the senses, though in actual fact the senses were made to rule over the mind by the process. The result? A warm and fuzzy feeling, totally dissimilar to the serpent's promise of "becoming as gods". A cage for every unclean and hateful bird? That is the judgement of the scarlet beast in revelation: It makes sense then that the city itself or S5 when it is complete is a structure that separates out sinful pleasure from Godly righteousness. The latter may not be present in the former as an institution. When the cage is properly shut and the beast judged, it may be said that those positive properties the heart finds so appealing will be quickly replaced with torment under the same scorpions and serpents that those within (and that practice the dialectic) have preferred over the Spirit of God. There will be little pleasure in false promises then with no escape possible. The heart of the woman will not be able to approach pleasure ever again. Continue To Next Page Return To Section Start Return To Previous Page